Saturday, February 19, 2011

Mild Reversal Of Normal Cervival Lordosis




With bright sunshine, which was in the face, forcing you to move the space neat one less hot, started Vision group's monthly meeting. The guest was the poet, and known radio broadcaster, television, screenwriter and writer of the series the Impossible: Leonardo Padrón.
The presentation of the book Human Factors led us to make the hand of Alexis Romero a tour of the Register early since attendance at the workshop of Luis Alberto Crespo, the great teacher who marked, through their participation in the group Calicanto and Guaire. For Padrón Romero's poems are related to his public life, which beats under his poetry is not decoration, it is a personal drama. He establishes a relationship of language to the city through the enjoyment and desire. The latter was corroborated by census when we told of his experience first went to New York and found lost in the magnificence of the spaces and crowds. Since it was recognized as a human animal has been important to Leonardo connected with the city and its surroundings. Although the primal feeling it gave, not Caracas, which now devotes part of his verses, but that visit to New York. His impression before that reminded him of the poems of Garcia Lorca with its surreal images. That changed his way of writing, found that the city has its beauty vents.
Alexis Romero told us that Leonardo Padrón has been held to be the chronicler of the city through the poem. His poetry wants to celebrate life, has a temple to the joy of language. It should be read not only what the text says, but what the hidden poem. There is a personal story.
Reading in the voice of Leonardo Padrón, poems Caracas Family Center, and the slow life of Caracas, let's testimony of his intimate relationship with the city. That solitary profession
poet who makes joyful solitude writing, has in Leonardo Padrón and his poetry anthology own space. Contained in this careful edition of Human Factors, which also features the addition of reproductions of works of master Alirio Palacios, is a gift we should give, so we are bound to look beyond what is written and consider whether it is possible through fine irony that we might reconcile a bit with the city in which we live and suffer and our environment.

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